Di Simone Fabrizani
Annunciati i vincitori nelle categorie tecniche ai Creative Arts Emmy Awards, i riconoscimenti dedicati al meglio della produzione per il piccolo schermo statunitense; se la cerimonia dei premi maggiori non avverrà prima di domenica 20 settembre, alcuni de maggiori premi tecnici sono stat già assegnati.
Ad ottenere il maggior numero di premi è stato The Mandalorian (Disney +), con ben 5 Emmy, tra cui fotografia, scenografia, suono e montaggio sonoro; segue con 4 la miniserie Watchmen di Damon Lindelof, mentre Succession vince a sorprese l'Emmy per il miglior montaggio per una serie drammatica, segno che potrebbe portarsi a casa i premi maggiori domenica 20 settembre.
OUTSTANDING CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
- Defending Jacob
- Devs
- The Plot Against America
- Watchmen (Little Fear of Lightning)
- Watchmen (This Extraordinary Being)
OUTSTANDING CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
- Bob Hearts Abishola
- Family Reunion
- The Ranch
- Will & Grace
OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
- Homecoming
- Insecure (Lowkey Happy)
- Insecure (Lowkey Lost)
- The End of the F***ing World
- The Mandalorian
OUTSTANDING CONTEMPORARY HAIRSTYLING
- black-ish
- Grace and Frankie
- Schitt’s Creek
- The Handmaid’s Tale
- The Politician
- This Is Us
OUTSTANDING FANTASY/SCI-FI COSTUMES
- Carnival Row
- The Handmaid’s Tale
- The Mandalorian
- Watchmen
- Westworld
OUTSTANDING MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
- One Day at a Time
- The Conners
- Will & Grace (We Love Lucy)
- Will & Grace (What a Dump)
OUTSTANDING PERIOD COSTUMES
- The Crown
- Hollywood
- The Marvelous Mrs. Maisel
- Mrs. America
- Pose
OUTSTANDING PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
- American Horror Story: 1984
- Hollywood
- The Marvelous Mrs. Maisel
- Pose
- Star Trek: Picard
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
- Big Little Lies
- The Handmaid’s Tale
- Killing Eve
- The Morning Show
- Ozark
- Succession
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
- GLOW
- Space Force
- The Mandalorian
- What We Do In the Shadows
- Will & Grace
OUTSTANDING PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
- American Horror Story: 1984
- Hollywood
- The Mandalorian
- Pose
- Star Trek: Picard
- Westworld
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
- Ozark (Fire Pink)
- Ozark (Wartime)
- Stranger Things
- Succession (DC)
- Succession (This Is Not for Tears)
- The Mandalorian (Chapter 2: The Child)
- The Mandalorian (Chapter 4: Sanctuary)
- The Mandalorian (Chapter 8: Redemption)
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
- El Camino: A Breaking Bad Movie
- Mrs. America
- Watchmen (It’s Summer and We’re Running Out of Ice)
- Watchmen (This Extraordinary Being)
- Watchmen (A God Walks In to Abar)
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
- Better Call Saul
- The Boys
- The Crown
- Star Trek: Picard
- Stranger Things
- Westworld
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
- GLOW
- The Mandalorian
- Silicon Valley
- Space Force
- What We Do in the Shadows
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
- The Mandalorian
- Modern Family
- The Ranch
- Schitt’s Creek
- Space Force
OUTSTANDING SOUND MIXING FOR A LIMITED SERIES OR MOVIE
- American Horror Story: 1984
- DEVS
- El Camino: A Breaking Bad Movie
- Hollywood
- Watchmen
OUTSTANDING SPECIAL VISUAL EFFECTS
- Lost in Space
- The Mandalorian
- Stranger Things
- Watchmen
- Westworld
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
- Devs
- The Handmaid’s Tale
- Tales From the Loop
- Tom Clancy’s Jack Ryan
- Vikings
