Best Sound Editing: Feature Film; FX/Foley
“Hacksaw Ridge”
Supervising Sound Editors: Robert Mackenzie
Foley Editor: Steve Burgess, Alex Francis
Foley Artist: Mario Vaccaro
Sound Effects Editors: Liam Price, Tara Webb, Steve Burgess
Best Sound Editing: Feature Film; Dialogue/ADR
“Hacksaw Ridge”
Supervising Sound Editor: Andy Wright
Supervising ADR Editors: Justine Angus, Kimberly Harris
Dialogue Editor: Jed Dodge
ADR Editor: Michele Perrone
Best Sound Editing: Feature Film; Music, Musical Feature
“La La Land”
Music Editor: Jason Ruder
Best Sound Editing: Feature Film; Music Score
“Warcraft: The Beginning”
Music Editors: Michael Bauer, Peter Myles
Best Sound & Music Editing: Feature Film; Animation
“Moana”
Supervising Sound Editor: Tim Nielsen
Supervising Dialogue Editor: Jacob Riehle
Foley Editors: Thom Brennan, Matthew Harrison
Music Editors: Earl Ghaffari, Dan Pinder
Temp Music Editors: Dominick Certo, Tommy Holmes
Sound Effects Editors: Jonathan Borland, Pascal Garneau, Lee Gilmore
Foley Artists: John Roesch, Shelley Roden
Best Sound & Music Editing: Feature Film; Foreign Language
“The King’s Choice”
Supervising Sound Editor: Christian Schaanning
Dialogue Editors: Ingela Jonsson, Espen Ronning
Foley Artist: Lucas Nilsson
Sound Designer: Christian Schaanning
Sound Effects Editors: Fredrik Dalefjell, Erlend Hogstad, Jens Johansson
Best Sound & Music Editing: Feature Film; Documentaries
“The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble”
Supervising Sound Editor: Pete Horner
Sound Designer: Al Nelson
Sound Effects Editor: Andre Zweers
Best Sound Editing: Television; Long Form — FX/Foley
“Westworld” – “The Bicameral Mind”
Supervising Sound Editors: Thomas E. de Gorter M.P.S.E., Matthew Sawelson M.P.S.E
Foley Editors: Geordy Sincavage, Michael Head
Foley Artists: Rick Owen MPSE, Tara Blume
Sound Designers: Mark Allen MPSE, Marc Glassman MPSE
Best Sound Editing: Television; Long Form — Dialogue/ADR
“The Night Of” – “Part 1: The Beach”
Supervising Sound Editor: Nicholas Renbeck
Dialogue Editors: Sara Stern, Luciano Vignola, Odin Benitez
ADR Editor: Marissa Littlefield
Best Sound Editing: Television; Long Form — Music Score & Musical
“The Rocky Horror Picture Show: Let’s Do the Time Warp Again”
Music Editor: Kevin Bassinson
Best Sound Editing: Television; Short Form — FX/Foley
“Westworld” – “Trompe L’Oeil”
Supervising Sound Editors: Thomas E. de Gorter M.P.S.E., Matthew Sawelson M.P.S.E
Foley Editors: Geordy Sincavage, Michael Head
Foley Artists: Tara Blume, Rick Owens M.P.S.E
Sound Designers: Mark R. Allen M.P.S.E, Marc Glassman M.P.S.E
Best Sound Editing: Television; Short Form — Dialogue/ADR
“Penny Dreadful III” – “Ebb Tide”
Supervising Sound Editor: Jane Tattersall
Supervising Dialogue Editor: David McCallum
Dialogue Editor: Elma Bello
Best Sound Editing: Television; Short Form — Music, Musical
(TIE) “Mozart in the Jungle” – “Now I Will Sing”
Music Editor: Jason Tregoe Newman, Bryant J. Fuhrmann
(TIE) “The Get Down” – “Raise Your Words, Not Your Voice”
Music Editor: Jamieson Shaw
Best Sound & Music Editing: Television; Animation
“Albert”
Supervising Sound Editor: Jeff Shiffman MPSE
Dialogue Editors: Michael Petak, Anna Adams
Foley Editor: Tess Fournier
Foley Artist: Craig Ng
Music Editor: Brad Breeck
Sound Effects Editors: Jessey Drake MPSE, Tess Fournier, Jeff Shiffman MPSE
Best Sound & Music Editing: Television; Documentary Long Form
“My Beautiful Broken Brain”
Supervising Sound Editor: Nick Ryan
Dialogue Editor: Claire Ellis
Sound Effects Editor: Tom Foster
Best Sound & Music Editing: Television; Documentary Short Form
“Sonic Sea”
Supervising Sound Editor: Trevor Gates
Dialogue Editor: Ryan Briley
Sound Effects Editors: Ron Aston, Christopher Bonis
Best Sound Editing: Television; Short Form — Musical Score
“Stranger Things” – “Chapter Three: Holly Jolly”
Music Editor: David Klotz
Best Sound & Music Editing: Direct-To-Video; Animation
“Lego DC Comics Superheroes: Justice League – Gotham City Breakout”
Supervising Sound Editors: Devon Bowman, Rob McIntyre
Supervising Dialogue Editor: Mark A. Keatts
Dialogue Editors: Kelly Foley-Downs, Mike Garcia, Patrick Foley
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Sound Effects Editors: Evan Dockter, Lawrence Reyes, Marc Schmidt, DJ Lynch
Best Sound & Music Editing: Direct-To-Video; Live Action
“The Duel”
Supervising Sound Editor: David Barber, MPSE
Dialogue Editor: Micah Loken
ADR Editor: Michael Kreple
Foley Artists: Gonzalo “Bino” Espinoza, David Kitchens, MPSE
Music Editor: Ben Zarai
Sound Effects Editors: Sean Gray, Ken Skoglund, Steve Urban
Best Sound & Music Editing: Game Cinematics
“Gears of War 4”
Supervising Sound Editors: Charles Deenen, Csaba Wagner
Sound Designers: Tim Walston, Sam Justice, Crispin Hands
Sound Effects Editors: Braden Parkes, Justin Davey, Chris Diebold, Mike Schapiro, Malte Bieler, Jamey Scott
Foley Editors: Matt Cavanaugh, Colin Hart, George Pereyra, Craig Tomlinson
Audio Director: John Morgan
Audio Lead: Josh Linton
Best Sound & Music Editing: Computer Episodic Entertainment (Webisode)
“Joyride”
Supervising Sound Editor: Charles Deenen
Sound Designer: Csaba Wagner
Sound Effects Editors: Braden Parkes, Ozan Biron
Foley Artist: Rustam Gimadiyev
Sound Editor: Travis Pratert
Best Sound & Music Editing: Special Venue
“Pearl”
Supervising Sound Editor: Jamey Scott
Audio Director: Scot Stafford
Music Editor: Alexis Harte, JJ Wiesler
Sound Designer: Jamey Scott
Verna Fields Award in Sound Editing in Student Films
(TIE) “Fishwitch”
National Film and Television School
Supervising Sound Editor: Zoltan Juhasz
Foley Artist: Zoltan Juhasz
Sound Designer: Zoltan Juhasz
(TIE) “Icarus”
Dodge College of Film and Media Arts, Chapman University
Supervising Sound Editor: Gerry Vazquez
Sound Designer: Gerry Vazquez
Filmmaker Award
Guillermo del Toro
Career Achievement Award
Harry Cohen
Fonte: Awards Watch
