Golden Reel Awards: premiati al montaggio sonoro ‘Le Mans ’66’, ‘1917’ e ‘Parasite’

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Di Simone Fabriziani

Ai Golden Reel Awards, i premi annuali dei Motion Picture Sound Editors (il sindacato dei montatori del suono), il trionfo è stato dei titoli già previsti nella categoria: e quindi pioggia di premi per Le Mans ’66 – La grande sfida, 1917 e Parasite.

Non sono mancati però anche riconoscimenti minori per Jojo Rabbit, Rocketman e il film Disney/Pixar Toy Story 4.

Di seguito la lista dei vincitori del sindacato del montaggio del suono:
Outstanding Achievement in Sound Editing – Animation Short Form
“3 Below” Tales of Arcadia
Netflix
Supervising Sound Editor: Otis Van Osten
Sound Designer: James Miller
Dialogue Editors: Jason Oliver, Carlos Sanches
Foley Artists: Aran Tanchum, Vincent Guisetti
Foley Editor: Tommy Sarioglou
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
“Lego DC Batman” Family Matters
Warner Bros. Home Entertainment
Supervising Sound Editor: Rob McIntyre, D.J. Lynch
Sound Designer: Lawrence Reyes
Sound Effects Editors: Ezra Walker
ADR Editor: George Peters
Foley Editor: Aran Tanchum, Derek Swanson
Foley Artists: Vincent Guisetti
Outstanding Achievement in Sound Editing – Feature Animation
“Toy Story 4”
Walt Disney Studios Motion Pictures
Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Supervising Dialogue Editor: Cheryl Nardi
Sound Effects Editors: Kimberly Patrick, Qianbaihui Yang, Jonathon Stevens
Foley Editors: Thom Brennan, James Spencer
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
“Serengeti”
Discovery Channel
Supervising Sound Editor: Paul Cowgill
Foley Editor: Peter Davies
Music Editor: Alessandro Baldessari
Foley Artists: Paul Ackerman
Outstanding Achievement in Sound Editing – Feature Documentary
“Echo in the Canyon”
Greenwich Entertainment
Sound Designer: Robby Stambler, MPSE
Dialogue Editor: Sal Ojeda, MPSE
Outstanding Achievement in Sound Editing – Computer Cinematic
“Call of Duty: Modern Warfare” (2019)
Activision Blizzard
Audio Director: Stephen Miller
Supervising Sound Editor: Dave Rowe
Supervising Sound Designer: Charles Deenen, MPSE Csaba Wagner
Supervising Music Editor: Peter Scaturro
Lead Music Editor: Ted Kocher
Principal Sound Designer: Stuart Provine
Sound Designers: Bryan Watkins, Mark Ganus, Eddie Pacheco, Darren Blondin
Dialogue Lead: Dave Natale
Dialogue Editors: Chrissy Arya, Michael Krystek
Sound Editors: Braden Parkes, Nick Martin, Tim Walston, MPSE, Brent Burge, Alex Ephraim, MPSE, Samuel Justice, MPSE
Music Editors: Anthony Caruso, Scott Bergstrom, Adam Kallibjian, Ernest Johnson, Tao-Ping Chen, James Zolyak, Sonia Coronado, Nick Mastroianni, Chris Rossetti
Foley Artists: Gary Hecker, MPSE, Rick Owens, MPSE
Outstanding Achievement in Sound Editing – Computer Interactive Game Play
“Call of Duty: Modern Warfare” (2019)
Infinity Ward
Audio Director: Stephen Miller
Senior Lead Sound Designer: Dave Rowe
Senior Lead Technical Sound Designer: Tim Stasica
Supervising Music Editor: Peter Scaturro
Lead Music Editor: Ted Kocher
Principal Sound Designer: Stuart Provine
Senior Sound Designers: Chris Egert, Doug Prior
Supervising Sound Designers: Charles Deenen, MPSE, Csaba Wagner
Sound Designers: Chris Staples, Eddie Pacheco, MPSE, Darren Blondin, Andy Bayless, Ian Mika, Corina Bello, John Drelick, Mark Ganus
Dialogue Leads: Dave Natale, Bryan Watkins, Adam Boyd, MPSE, Mark Loperfido
Sound Editors: Braden Parkes, Nick Martin, Brent Burge, Tim Walston, Alex Ephraim, Samuel Justice
Dialogue Editors: Michael Krystek, Chrissy Arya, Cesar Marenco
Music Editors: Anthony Caruso, Scott Bergstrom, Adam Kallibjian, Ernest Johnson, Tao-Ping Chen, James Zolyak, Sonia Coronado, Nick Mastroianni, Chris Rossetti
Foley Artists: Gary Hecker, MPSE, Rick Owens, MPSE
Outstanding Achievement in Sound Editing – Non-Theatrical Feature
“Togo”
Disney+
Supervising Sound Editors: Odin Benitez, MPSE, Todd Toon, MPSE
Sound Designer: Martyn Zub, MPSE
Dialogue Editor: John C. Stuver, MPSE
Sound Effects Editors: Jason King, Adam Kopald, MPSE, Luke Gibleon, Christopher Bonis
ADR Editor: Dave McMoyler
Supervising Music Editor: Peter “Oso” Snell, MPSE
Foley Artists: Mike Horton, Tim McKeown
Supervising Foley Editor: Walter Spencer
Outstanding Achievement in Sound Editing – Special Venue
“Vader Immortal: A Star Wars VR Series” Episode 1
Oculus
Supervising Sound Editors: Kevin Bolen, Paul Stoughton
Sound Designer: Andy Martin
Supervising ADR Editors: Gary Rydstrom, Steve Slanec
Dialogue Editors: Anthony DeFrancesco, Christopher Barnett, MPSE Benjamin A. Burtt, MPSE
Foley Artists: Shelley Roden, MPSE Jana Vance
Outstanding Achievement in Sound Editing – Foreign Language Feature
“Parasite”
Neon
Supervising Sound Editor: Choi Tae Young
Sound Designer: Kang Hye Young
Supervising ADR Editor: Kim Byung In
Sound Effects Editors: Kang Hye Young
Foley Artists: Park Sung Gyun, Lee Chung Gyu
Foley Editor: Shin I Na
Outstanding Achievement in Sound Editing – Live Action Under 35:00
“Barry” ronny/lily
HBO
Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor
Sound Designer: Rickley W. Dumm, MPSE
Sound Effects Editor: Mark Allen
Dialogue Editors: John Creed, Harrison Meyle
Music Editor: Michael Brake
Foley Artists: Alyson Dee Moore, Chris Moriana
Foley Editors: John Sanacore, Clayton Weber
Outstanding Achievement in Sound Editing – Episodic Short Form – Music
“Wu Tang: An American Saga” All In Together Now
Hulu
Music Editor: Shie Rozow
Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
“Modern Love” Take Me as I Am
Prime Video
Supervising Sound Editor: Lewis Goldstein
Supervising ADR Editor: Gina Alfano, MPSE
Dialogue Editor: Alfred DeGrand
Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
“The Mandalorian” Chapter One
Disney+
Supervising Sound Editors: David Acord, Matthew Wood
Sound Effects Editors: Bonnie Wild, Jon Borland, Chris Frazier, Pascal Garneau, Steve Slanec
Foley Editor: Richard Gould
Foley Artists: Ronni Brown, Jana Vance
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
“Heatwave”
National Film and Television School
Supervising Sound Editor: Kevin Langhamer
Outstanding Achievement in Sound Editing – Single Presentation
“El Camino: A Breaking Bad Movie”
Netflix
Supervising Sound Editors: Nick Forshager, Todd Toon, MPSE
Supervising ADR Editor: Kathryn Madsen
Sound Effects Editor: Luke Gibleon
Dialogue Editor: Jane Boegel
Foley Editor: Jeff Cranford
Supervising Music Editor: Blake Bunzel
Music Editor: Jason Tregoe Newman
Foley Artists: Gregg Barbanell, MPSE, Alex Ullrich
Outstanding Achievement in Sound Editing – Episodic Long Form – Music
“Game of Thrones” The Long Night
HBO
Music Editor: David Klotz
Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR
“Chernobyl” Please Remain Calm
HBO
Supervising Sound Editor: Stefan Henrix
Supervising ADR Editor: Harry Barnes
Dialogue Editor: Michael Maroussas
Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley
“Chernobyl” 1:23:45
HBO
Supervising Sound Editor: Stefan Henrix
Sound Designer: Joe Beal
Foley Editors: Philip Clements, Tom Stewart
Foley Artist: Anna Wright
Outstanding Achievement in Sound Editing – Feature Motion Picture – Music Underscore
“JoJo Rabbit”
Fox Searchlight Pictures
Music Editor: Paul Apelgren
Outstanding Achievement in Sound Editing – Feature Motion Picture – Musical
“Rocketman”
Paramount Pictures
Music Editors: Andy Patterson, Cecile Tournesac
Outstanding Achievement in Sound Editing – Feature Motion Picture – Dialogue/ADR
“1917”
Universal Pictures
Supervising Sound Editor: Oliver Tarney, MPSE
Dialogue Editor: Rachael Tate, MPSE
Outstanding Achievement in Sound Editing – Effects / Foley
“Ford v Ferrari”
Twentieth Century Fox
Supervising Sound Editor: Donald Sylvester
Sound Designers: Jay Wilkenson, David Giammarco
Sound Effects Editor: Eric Norris, MPSE
Foley Editor: Anna MacKenzie
Foley Artists: Dan O’Connell, John Cucci, MPSE, Andy Malcolm, Goro Koyama
Fonte: Variety

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